For those of you who do most of your creating off-stage, you may not have experienced the ¡olé! moment. That's my new-favorite term for the magical thing that happens when you get in the zone and out of the way and the work just flows through you. The term comes to me via the astonishing Elizabeth Gilbert in her very moving (and funny, and smart as hell) TED talk, below. As Derek Sivers says in his own post pointing to it, Gilbert's words speak to pretty much any writer or musician; I'll go one better and say that if there is any pursuit you've spent a lot of time getting your body tuned up for, you'll dig it:
The ¡olé! moment happens rarely onstage, but when it does, there's a kind of thrum inside and outside of you, a strange inner/outer vibrational shift where you're very aware of what's happening and you also feel like it's something happening to you, or possibly through you. It's pretty sensational, and I'm pretty sure it only happens when a confluence of circumstances are in place:
- You, prepared
- You, letting go
- Some kind of Mysterious Hoodoo Shit happening elsewhere
It's probably happened to me 30-odd times in my entire performing career, and that includes auditions and scenes in class as well as performances. I don't know if that number is on the low, high or average side, but I do know that when It Happened, it was as much something acting me as me doing the acting. No matter how many times It Happens, though, I can tell you this: It can't Happen enough; the feeling is so amazing, and the level at which you're able to transmit that creative energy is so crazy-high, if you could bottle it, you'd be a bajillionaire, even in a down market.
Especially in a down market.
There are some things that I believe up one's chances for the magic happening. As you might guess, most of the actionable stuff happens in areas #1 and #2. One of the reasons I hammer hammer hammer away at my actors in my monthly columns to Always Be Creating is that it really helps with both of those things: you become both better prepared, because constant application of effort to a certain practice makes you more skilled and confident, the 10,000 hours rule, and you are better able to let go because sheer volume of work means that any individual instance becomes proportionally less important, thereby enabling you to be way more relaxed than you might otherwise be.
It's one reason I decided to post daily to the blog. Yes, a part of me is hoping that replicating the Monday-through-Friday nature of the old-time daily column will somehow trigger the Magical Woowoo Hoodoo into manifesting a modern-day Royko gig for the communicatrix, but another far, far more realistic part of me knows that there's no way I can't get better at this if I'm doing it more often.
As Gilbert says in her talk, there is huge relief in making the shift to thinking you have access to genius rather than that you have to be a genius. My job as access point is to stay in shape and show up daily.
The rest of it? Is up to the genius.
¡Olé! to that...
In case you have ever wondered what I sound like when speaking in public, I finally have a speaking page up which contains an embed of a decidedly non-TED talk. At least I know now what I'm tuning this old carcass up for.