What taking care of yourself looks like in real time

gustave flaubert quote about work and creativity I'm sure I'm not alone in this, but when I was a girl, I had a brilliant notion: what if I could have all of the sicknesses of my lifetime at once, rather than having them parceled out here and there, when they were least expected and seldom welcome?

Or, because I quickly figured out my genius solution would probably kill you (after a few mind-blowing days of unspeakable agony), what if we could at least choose when we'd have them, rescheduling broken bones and burst appendixes from rare or inconvenient times (holidays, big presentations, nice weather in Chicago) to dull stretches where nothing is going on, anyway?

Like most things that seem like a great idea until you see them played out on an episode of Twilight Zone, I eventually figured out the flaw in Plan B as well: there is never, ever a time when it's good to be sick; there are only times when it's less awful than other times.

* * * * *

Staying healthy has both hard and "soft" costs attached to it, just like getting sick does. But because we don't notice health nearly as much as we do the lack thereof, it's hard to get people to pay upfront. Nothing new here. And of course, this refusal to deal with something until it's in tatters or on fire, demanding our attention, is not limited to our physical well-being. How many people do you know who have harnessed the Magic of Compound Interest by maintaining a fully-funded 401-K from the time they entered the workforce? Or, closer still to home, who have never run out of toilet paper? I mean, really, toilet paper! If there's one thing that's easier to make sure you have handy, I don't know what it is. And yet,

Well, let's leave this train of thought while the disembarking is good, shall we?

* * * * *

It is very, very easy for me to tell myself I will pay myself Thursday for a hamburger today, and gladly. To stay up late working or, even more stupidly, watching Jackie Brown for the 57th time. It is easy to say I should go to a particular event, that one of my promises to myself was to keep my promises, and that breaking them will cause me as much or more stress as keeping them. It is easy to not exercise, to drive rather than walk, to eat poorly rather than well. It is as easy to say "yes" as it is hard to say "no", and the consequences of a flippant choice are so far down the road that surely, we reason, a conveniently-timed meteor or other bit of TBD pixie dust will save us between now and then.

For me it is easiest of all to work, and to work poorly, honoring neither the time it takes to do work well, nor the extracurricular effort that goes into maintaining the infrastructure upon which the work relies. Forget what's theoretically possible; being ill these past five months has forced me to examine what is honestly possible, and desirable, and tenable.

While I've (mercifully) always been a woman of narrow interests, this go-round of illness has forced me to narrow them to a point I would not have believed possible.1 These days, I work and I take care of myself, and that's about it. Sometimes I marvel at all of the purely social activities I hear other people talking about (on Twitter and Facebook, since I rarely go out). To me a weekend is just a calmer, quieter couple of days where the phone stops ringing, the emails at least slow down, and I feel less of a pang shutting down operations to get some rest. And I'm fine with that, there will be other times with a different mix of activities, just like there were before.2

For writers, at least, good work, like contentment, comes from boring, well-ordered lives.3 The more mental and physical clutter I removed from my life, the more room was left to do my work.

But the clearing also makes more obvious the crufty tangles that are left. Money murkiness. Patchy systems. Sludgy workflows.

So part of taking care of myself has been crazy stuff you'd think had nothing to do with taking care of yourself, all of it having to do with imposing structure. For example, my return to the uniform: establishing one look and investing in multiples to reduce stress around dressing and traveling. Dividing my week into sectors for reading, writing, and talking. I can't speak for the BDSM crowd, but in my little pedestrian, decidedly non-kinky way, I've found constraints very freeing, so much so that I continue to implement new systems as I tweak the old ones, testing for friction all the time.

The biggest recent shift in my self-care has been a rededication to GTD. Although really, what I'm doing has a whole lot less to do with any particular system for organizing one's stuff and a whole lot more with slowing things down to get clear. Which is, I think, what the best systems are: clearly thought out. Eight years after discovering David Allen's book, I'm finally getting that the crux of the system is the questioning: What's the next action? Where does this go? What does "done" look like? And that the questions themselves must be asked every single time, slowly and painstakingly before swiftly and organically. Organization doesn't come from occasional actions any more than health comes from popping an occasional vitamin. Truly taking care of myself means living in truth all of the time, not just when it is convenient.

I don't know yet what "well" looks like. It may end up not looking at all like robust good health I've been dreaming of since my Crohn's onset, health that lets me spend my energy as cavalierly as I did in my 20s and 30s.

But as I finally (knock wood, throw salt over shoulder, stab a leprechaun) pull out of this flare, I have a better idea of what putting "well" first looks like for me. It is as predictable as a uniform and as strictly run as the Catholic elementary school I wore mine to for eight years. It trades the highs of coffee for the gentle buzz of tea. It favors dollars placed toward proper food and time invested in preparing it. It goes to bed early. It enjoys fellow travelers. It dislikes drama. It spends a surprising amount of time in the bathtub and on foot.

It's my boring-ass new life, and it is awesome.

xxx c

1When I was in recovery from my Crohn's onset, back in 2002-03, my illness was so profoundly far-reaching that convalescence was the sole item on the menu. This particular almost-flare is more like having a flu that's constantly teetering between a plain old cold and walking pneumonia that'll put you down for months, or descend quickly into some unknowable, unnamable worse. Gray areas are the hardest to navigate on your own, health-wise. At least, they are for workaholics.

2Okay, I don't solely work and rest. Over the past several months, I've lunched and dined with friends two handfuls of times, seen at least one movie in an actual movie theater, attended a party for at last a half-hour, and been to hear live music, a comedy show and a play. The play, which is running through May 29, I highly recommend (and I recommend very few plays). If you live in Los Angeles and like your theater well-done and funny, it's a must-go.

3 This gets into semantic jockeying, but for our purposes, that other contentment-plus stuff I find comes more from peak experiences. That poor, poor word "happiness" has been so batted about that I wonder what it means anymore. I tend to think my friend Gretchen, who for my money is the smartest, most accessible writer on the topic of happiness today, really writes about contentment. But it's not her fault the filthy hordes came in and mucked up a perfectly good word.

Frrrrriday Rrrrroundup! #50

president obama and national security team receiving update on bin Laden operation An end-of-weekly roundup collecting fffffive of the fffffoxiest things I fffffind stumbling around the web. More about the genesis here. Every dang Friday Round-Up here, you procrastinating slacker!

I wasn't a Futurama fan and I never even knew what Dungeons & Dragons was but I know one thing: they work great together. [Facebook-ed]

It's a little smug and more than a little snarky, but this list of email "don'ts" is also spot-on. [delicious-ed]

Swedish man gives hillbilly pickers a run for their money on "Foggy Mountain Breakdown." [YouTube-ed].

Fran Lebowitz: brilliant with an extemporaneous turn of phrase, terror behind the wheel of her Checker cab. [Stumbled]

xxx c

Image via the White House's photostream on Flickr, used under a U.S. Government Work license.

What's up & what's gone down :: May 2011

the author kissing a fave client on the cheek

A mostly monthly but certainly occasional round-up of what I've been up to and what's in the hopper. For full credits and details, see this entry.

Colleen of the future (stuff I'll be doing)

  • World-Changing Writing Workshop 2011 [Registration opens May 9] It takes people like Pace & Kyeli to get me more excited about making an entirely new thing and giving it away for nothing than I did teaching a paid class. But that's how they are. Bastards. And kids, for as good as last year's WCWW was, and it was an astounding value for your dollar, this year's is going to wipe the floor with last year's. What did I conjure up for this year's lucky participants? Poetry, baby, sheer poetry. (Okay, and a deconstruction of how I do it, and how you can, too. It's a class, right?) Check it out, get on the mailing list, blah blah blah.
  • May L.A. Biznik Mixer at Jerry's Famous [Los Angeles; Wednesday, May 11]  Fun, free, low-key networking plus great tips, tricks and ideas from your fellow indie-biz folk, which of course includes me. Duh. All that, and Happy Hour specials, too. Join up here (free membership, which is nice), then sign up here.
  • World Domination Summit [Portland, OR; June 3-5] Alas, the WDS has been sold out for months, but I have a hunch that many of us who got golden tickets will be prowling around PDX outside the cozy confines of the venue. If you're in town that weekend, follow it on the Twitters or what have you. Extracurricular meetups FTW!

Colleen of the Past (what I have done for you lately)

I cannot shut up about the life-changing experience I had at Strictly Business 3, the conference series produced by the American Society for Media Photographers (ASMP). I came to keynote; I left with 600 new best friends and an upended perspective on how to look at meeting people. It's over now, but the awesomeness keeps on rolling:

  • I wrote about my breakthrough "A-ha!" moment for Strictly Business, the ASMP blog in an uncharacteristically brief essay called "Avoiding the Curse of Familiarity." How I lived this long without ever hearing that phrase is mystery enough, but the real shock is that it took me this long to get why you must get out and meet people.
  • Jill Waterman interviewed me on marketing in the postmodern creative landscape for the Spring issue of the ASMP Bulletin. You can't buy it on newsstands (or at least, I don't think you can), but you can read the even more excellent version, or the lengthier one, anyway, for free on their website. It's slanted towards photography, but I talk about all kinds of stuff of use to the creative person in today's nutty world: what makes one person get the job over another, equally-qualified person; why "awesome" is the new normal, and how you can be more so; ways the focally-challenged person can get her act together and much, much more. (I'm telling you, it is looooong.) (But Jill did a kickass job, so it's also good.)
  • Speaking of kickass, one of my 600 new best friends wrote something so nice about me it made me cry. Thank you, Ellen Boughn. May we gather together to eat extra-crispy bacon again very soon.

Oh, okay, one non-ASMP-related thing, which was also totally awesome:

  • Maureen Anderson has become one of my fave people I've never actually met. We have such a good time yakking, she's made me a semi-regular guest on her terrific Career Clinic radio show. Last month, we spent the better part of an hour talking about how to talk about yourself. Stuff like: do emails have to be short to be good? What makes a good subject line? Why do people hate your sales pitch? Is there a secret to "working the room"? We also get into things you might find interesting if you wonder how coaching works, and specifically, how coaching works with me. Good stuff up in there! Go get you some!

Colleen of the Present (stuff I do, rain or shine)

  • communicatrix | focuses :: My monthly newsletter devoted to the ways and means of becoming a better clearer communicator (plus a few special treats I post nowhere else). Free! (archivessign-up)
  • Act Smart! is my monthly column about marketing for LA Casting. Nominally for actors, there's a ton of good info in there for any creative business person. Browse the archives, here.
  • Internet flotsam :: If you suffer from a surfeit of time, you can always look for me on Twitter, Facebook, Tumblr, StumbleUpon and delicious.

xxx c

Photo of me and my beloved client, Susan Carr, Education Director supreme of the ASMP, at SB3 Chicago, by my other beloved client, Judy Herrmann, who introduced us. This is how it works, people!

Finding a way to not start

jose-martinez-cookie-monster-cupcakes-5007403719_2e10472c75_b For a long time, I've been aware of the most obvious form of addiction in my family: alcoholism.

First of all, because Mom drank. A lot. And so did Mom's dad and some of Mom's brothers. A lot. Once it spirals out of the societally-determined safe zone, alcohol addiction gets obvious fast, what with all the clanging empties and lack of employment and whatnot.1

It took me much longer to spot the other, less obvious manifestations of the addictive temperament in my gene pool, Dad's workaholism, for instance, or my maternal grandmother's massive sugar jones, or everyone's need to have the television on as loud as possible as often as possible, especially when someone else was in the room. Hey, those aren't problems, they're part of being American!

I will pause for the briefest of moments to say I'm going nowhere near any discussions of the root causes of addiction, of whether addiction is a disease or symptom (although I suspect the answer to that is "yes"), or of where addiction and compulsion overlap. I am not a mental-healthcare professional nor have I done any scholarly boning up on addiction and its underlying/concomitant behavioral disorders.

What I can say, and with the rock-solid confidence that only years of experience and obsessive (haha) self-observation can bring, is that the triggers that set my own self-destructive behaviors in motion are manifold and insidious.

* * * * *

The purpose of drinking too much or working too much, like all self-destructive behaviors, is to create distance between you and something else: Distance between you and your feelings, usually the painful ones. Distance between you and another person, usually one whom getting close to would involve the stirring up of painful feelings. Distance between you and the truth, which, as time and the behavior goes on, becomes about how much distance between you and your feelings or you and your loved ones your addictive/compulsive behavior has created.

Most of these buffer reasons for addictions are pretty well-established. Freud was hip to them, for crying out loud. You do something bad because somewhere in your brain, you think it's keeping you from something worse.

Your first order of business in changing this stuff seems to be sussing out the "why": I work too much because no matter how well I did, I was told I could do better if only I worked harder. That I should do this was left unspoken, but hung thickly in the air at all times. So I work too much because it puts distance between me and the fear that I am not enough, and that I am unlovable as I am.2

Okay. I get why I work too much. What I didn't get, because I couldn't make it fit, is why I couldn't get to the work of working too much. I mean, seriously, if I love work so freakin' much, why am I screwing around in Facebook? Why am I checking my email for the 57th time, hoping against hope that it holds some horrific fire that must be put out NOW? (Or, barring that, a really, really important and necessary special offer that must be acted upon immediately?)

And then, like a bolt from the blue, I got smacked upside the head by Captain Obvious: my incessant fiddling, my noodling, my (say it with me, now) P-R-O-C-R-A-S-T-I-N-A-T-I-N-G is there to put distance between me and starting, so that I don't have to fail by finishing.

Given my fondness for the work of Seth and Uncle Steve, not to mention my up-close-and-personal experience with the Resistor and all those years of shrinkage, that this lightbulb moment comes so late in the game is more than a little humiliating.

On the other hand, I'm a shoo-in for Dumbass of the Year award. And I do like me some award-garnering.

Lest we end this section on a sour-ish note of self-flagellation (more distancing!), I will add that like all discoveries of a disastrous or humiliating nature, if I can really and truly turn them into lessons learned, I win.

And I really, really like winning. Obviously.

* * * * *

So. How does one turn a discovery into a lesson really and truly learned?

On a recent episode of my new-favorite podcast-slash-obsession, the host, Marc Maron, who quit drinking 15 years ago, describes the process of his getting sober.3 For a long while, it sounds like he had a waking-up to how drinking (and for him, drug use) was really taking away much more than it was giving. Once he really and truly got that, he said, he had to find a way of not starting, which sound like what the Program was for him. AA is all about not starting, not taking that first drink. If you don't have the first one, you can't have all the subsequent ones, which are what get you into trouble.

Not-starting looks like not-doing, but really, it's doing other things. Taking other actions. Probably small, simple actions (although we're not going to be foolish enough to bait the Resistor by calling them "easy"). And probably many actions, over a long period of time. There may be the occasional grand, cinematic gesture, like throwing a half-full pack of cigarettes into the trash just like that. But the real work begins with the not-starting later: not fishing the pack out again four hours later when you get back from dinner really wanting a cigarette. Not buying a fresh pack the next day, or the day after that, or the day after that.

And my own experience of becoming a person who didn't smoke after having been one who did, and like a chimney, and for 12 years, was that while the story of throwing away that half-pack was great, it was the actions I took that got the job done. The stupid mantra. The mass quantities of cherry Halls Mentho-Lyptus cough drops. Inventing errands. Making myself go places where smoking was not allowed (much harder to do back in 1980s-era Chicago). Keeping my hands and mouth and brain busy with something, anything else.

I do these things so I do not do that thing. I choose these actions so I do not lapse into that one.

* * * * *

Fortunately, I spend a lot of time thinking and talking about this shit. On the blog alone, I've got over six years of obsessive self-analysis. Then there are the volumes of journaling and morning pages, the now-hundreds of hours in the Google Wave with Dave (I'm kind of glad I can't see those stats), the countless discussions with friends and fellow travelers, the aforementioned years of shrinkage. Plus, in case you hadn't noticed, I read. A lot. (Obsession: it has its upside, too!)

Between all of the talking and all of the thinking and all of the reading, I've learned a good deal about the nature of what I want to stop, i.e. both "work" that gets in the way of Work and too much work, period. At almost-50 years old, I think it's safe to say that I will be addressing their root causes, fear, mishegoss, until they scatter my ashes at sea. But I'll also say that at almost-50, it is beyond time to put on my Big-Girl Pants and do some of the tedious, outside-in work of taking actions, if for no other reason than the idea of not being able to do my Work or to work or even to "work", if it comes to that, is anathema and time and gravity are conspiring against me. Those cocksuckers.

The actions?

Well, I have a long list. I may get to itemization in future posts. Or I may just dive into action and leave you hanging. To spend any longer on this post would be a starting, not a not-starting, if you catch my drift.

For now, I will leave you with my vaguely-defined commitment to (a) establishing actions that support Work and (b) establishing additional actions to ensure not slipping into "work" and overwork. These include, but are not limited to, such incredibly mundane and tedious actions as brushing my teeth, logging time, and processing emails according to a specific protocol. In other words, a lot of things I either do or should be doing regularly.

I will also leave you with this excellent post by Ramit Sethi on barriers which I wish I'd read five years ago. Or that maybe I did read five years ago and was too dense to get. Whatever. It's excellent, and pertinent to this discussion.

And, finally, I will leave you with this exhortation: try to be nice to yourself. At least as nice to yourself as you'd treat someone you were indifferent about, preferably nicer. Not in an indulgent way. Just nice.

It's not going to fix everything. But it's a start.

xxx c

1It's also terrifying enough to serve as a deterrent: I drink, but I scrutinize my intake ruthlessly, one might even say with an obsession that borders on the ironic, for fear of ending up like the family drunks.

2I would assume I also work too much because it puts distance between me and the fear of dying, probably because I always say I'm not afraid of dying, and the lady doth protest too much/etc.

3More on this soon enough, much more, but if you like your introspection served up with a healthy dose of wit, heart and savoir faire (and don't mind swearing), do yourself a favor and subscribe to the WTF podcast. Insanely good, obsessively so, even.

Image by chilebeans via Flickr, used under a Creative Commons license.

Frrrrriday Rrrrroundup! #49

letters reading "shoot the freak" strung between two buildings An end-of-weekly roundup collecting fffffive of the fffffoxiest things I fffffind stumbling around the web. More about the genesis here. Every dang Friday Round-Up here, you procrastinating slacker!

A useful (and very funny, and rather saucy) handbook for identifying idiots. [Facebook-ed]

How to fortify yourself against the marketing weasels trying to get into your pants. Er, wallet. [delicious-ed]

The Aid Contest of the Celebrity Exes. (Because sometimes, you can't improve on a title.) [Google Reader-ed].

Making art is hard. Watching Austin Kleon talk about it is easy. [Stumbled, via Seth Godin]

xxx c

Image by William Flavel via Flickr, used under a Creative Commons license.

Poetry Thursday: Narcissus and the World Wide Web

The Internet is full of shrimp and Perry Mason tonight.

When I woke up it was wall-to-wall awesome, pulsing with possibilities for advancement and intellectual growth and emotional connection, an endless road there to take me anywhere I wanted, anywhere in the world.

By noon, I had turned it into a moving sidewalk between Terminals B and C, some tedious ride I've taken too many times, with ads up one side and mirrors down the other, the better to get a good, long look at the asshole who thought she could outwit the Web.

But tomorrow is another day like Scarlett said on Netflix streaming. Tomorrow I will bring that bitch to her knees just as soon as I check my email and my stats and a few select places for mention of my name.

In the meantime, let's see what's up with Della and that stir-fry recipe...

xxx c

Image by xJasonRogersx via Flickr, used under a Creative Commons license. (And the full-sized, uncropped version is much better. You should take a look.)

What it takes to hew to you (Part 2)

leaf growing through a board fence This piece builds on this one, which you may or may not want to read as well.

Once upon a time, when I was very much like I am today, only with a lot more income and a lot less happiness, I found myself shopping in a store that sold nothing but sexy ladies' underwear.

Now, if you know me in even the most passing of ways, you know this is a very unusual thing, and if you've known me in the Biblical sense, you're probably re-reading the above sentence to make sure it says what you think it said. For I am no more a lady of lingerie than I am a lady of pedicures, blender drinks or fancy jewelry. Not that I judge! To each her own, and more power to her. But I buy my panties plain, on the cheap and under duress. Any top/bottom color coordination happens strictly by accident, luck of the drawer, if you will, and most of it looks better off than on. Which, to my mind, anyway, is the main point of underwear vis-à-vis your vis-à-vis-type situations.

True to form, I was there at this sexy lingerie store under duress as well. My boss at the time, a chic and lovely woman whom I'm sure had no end of matching drawers in her own drawers, had extracted from me a promise: that while I was in Los Angeles on my next production gig, I would go to this particular lingerie store and buy myself some high-end undergarment of the completely superfluous variety. It had to be expensive, in other words, and it had to be sexy.

Half of the store was dripping with lace and the rest of it vibrated with the various colors of the rainbow. Promises or no promises, there were some depths to which I would not stoop, which pretty much left Sheer, Black and Clingy. I found some one-piece something or other that looked okay, sexy, even, I guess, given the right lighting and enough liquor. It cost $75 (I still remember!), it itched (the better, I supposed, for wishing oneself out of it) and served no actual, foundational purpose.

I tried it on at least fifty times, and wore it exactly three. Each time I felt not only stupid for having wasted $75 on a shitty piece of nylon but whatever the opposite of sexy is. And itchy. Off it went to Goodwill.

I am sure it made a terrific addition to some girl's Slutty Olympic Swimmer costume that Halloween.

* * * * *

I was having coffee with The Chief Atheist while back, one of those occasional treats I look forward to with a genuine pleasure I would not have believed possible ten years ago when we were fresh out of the marriage. He is a sincere, smart and forthright fellow; also, he is hilarious. And for my part, I am fairly pleasant to be around now that I'm not a miserable wannabe stewing in her own hot soup of envy and denial.

At some point during the conversation, we were talking about the shapes our day-to-day lives had taken now that we were no longer together, and now that I was (finally) living alone. His, as always, is filled with lots of laughter and activity, always well-populated with friends, colleagues, or loved ones. Mine, by contrast, is filled mostly with quiet and work, punctuated by spikes of peopled activity, and dotted lightly with extremely low-key relaxation amongst one or two close friends. Excepting perhaps the financial freedom to have it all more so, neither one of us could be happier with the way things had turned out.

We had just about wrapped up the topic when he paused, smiled just a bit and said, "I never really got it while we were together, but I finally realized it recently: you weren't kidding; you really did need more time alone than most people."

He's right, I really do.

* * * * *

The good news about the Internet is that it makes it really easy to get ideas; the bad news is that it makes it really easy to think you should be applying them to yourself, now!

The always-on, always-up nature of the Internet is great when you're feeling low and need to get you some hot baby penguin action. It's not so great when you're feeling unmoored and adrift, in an in-between phase, unsure of what the next shore will look like, much less how to get there. This accounts for a lot of the business bipolar disorder you see on the web: constant overhauling of business models, flip-flopping of pricing, re-branding of websites, and of course, rampant copycatting of UI elements, visual identity and even language.

I'm not talking about evolution or emulation. Things can and should change, and we all learn by adopting and mimicking the styles of those we admire, all of us, even the geniuses (and if you don't believe me, go rent the Scorsese documentary on Dylan. It'll blow your mind.)

But if you're doing things because you see other people doing them, beware. If you're using things because so-and-so is, beware.1 Not only do you have no idea of why they've chosen do x, y, or z, you can't even be sure it's working for them. Or that it will for much longer. To borrow Seth Godin's astute summing-up of the futility of emulation in this era of constant and rapid-fire change, "if you're looking for a map...you've totally missed the point." He was talking about business models, but it works for positioning, for identity, for personal trajectory as well. Today's opportunity lies in uniqueness and novelty, in innovation and personal touch, and the quickest way to quash that is to lose the thread of yourself in the tangle of other people's business.

Does this mean you should not surround yourself with people you admire? Read good things? Take in with an eye toward what works, what draws you in and delights you? Of course not. If anything, I would do more of it, and more broadly. As with food, so with brain food: the healthiest diets seem to be the most varied (provided you're not just varying which drive-thru window you pull up to).

A good exercise for making sure you're hewing to you is to be able to point to any element of your life and say why you chose it and why you love it. A sofa. A fragrance. A logo. An entrée. A cellphone. A lover. A project. A pair of jeans. A business partnership. A morning spent on Facebook. An evening spent with American Idol.

Even a blog post.

I wrote this one because I get challenged a lot for my business and marketing decisions, or the lack thereof.2 I can point to much of what looks crazy to the outside world and tell you why I do it my way. But there's a distressing amount that I cannot explain with anything better than I don't want to be like them. Or I hate that thing, over there. Or just I don't wanna! You can't make me!

Which, for a person who not only is into the whole self-actualization thing but who also hires herself out to help people sort out what's working and what's not, is not only hypocritical, but more than a little nutty.

On the other hand, who among us isn't a work in progress?

* * * * *

Are you a philistine for not personally sweating each individual detail of your life? Hell, no. Neither am I, and I'll wager I have a helluva lot more free time to muse about these things than you.

Could you benefit by thoughtful ongoing review of particular elements of your life, your work, your outward face, your inner workings? I cannot see how you couldn't. The unexamined life, and all that.

If you don't know who you are, start there. If you've got a pretty good handle on that, pick one aspect of your life (or your business, or your marketing) and start doing an inventory to see if things jibe.

Is this me or is this something I'm defaulting to? Is this something I want, or something I think someone else wants of me? Is this an outdated me, and am I okay with changing it?

It is not a speedy process; when you rush it, you end up with things like a $5000 website you hate in three months and want to completely change. Or a $75 onesie for whores.

Do not look to the left or the right. Look at yourself.

Chances are, that's what that other guy you admire so much did...

xxx c

1And of course, if you're using things you dislike because you think you should, or you think it will get you there faster, just stop right now.

2A lack of a decision is always a decision. Think of it as passive-aggression against yourself, and see if that doesn't move you to get off the dime and do something about something.

Image by k david clark via Flickr, used under a Creative Commons license.

Frrrrriday Rrrrroundup! #48

alissa walker & keith scharwath at the stecyk exhibit An end-of-weekly roundup collecting fffffive of the fffffoxiest things I fffffind stumbling around the web. More about the genesis here. Every dang Friday Round-Up here, you procrastinating slacker!

Self-portraits in mixed media and drugs. [Facebook-ed]

A microeconomic look at the introversion-extraversion spectrum. [delicious-ed]

I suspect people only visit OKCupid for the charts the way our dads only read Playboy for the articles. [Google Reader-ed].

Speaking of OKC, if you want to know what makes a lady swoon, try "firm grasp of parliamentary procedure" and "dazzling ability to hold the floor for the side of right." [YouTube-d]

xxx c

Image by gelatobaby via Flickr, used under a Creative Commons license.

Frrrrriday Rrrrroundup! #47

hotel cabins against a blue sky An end-of-weekly roundup collecting fffffive of the fffffoxiest things I fffffind stumbling around the web. More about the genesis here. Every dang Friday Round-Up here, you procrastinating slacker!

My favorite panel from SXSWi this year, how three (excellent) different writers approach writing, is finally available to listen to. John Gruber, one of the panelists, has helpfully provided a PDF of the slide deck on his site. [Facebook-ed]

When Alan Greenspan met Ayn Rand. [delicious-ed, via the urban sherpa]

I've had Mr. Rochester on the brain of late, but that's only one reason I love this post from the always-wonderful Justine Musk. [Google Reader-ed]

A wonderful essay on why we insist on hating celebrities, using the Rebecca Black backlash as a jumping-off point. [Stumbled]

xxx c

P.S. This was newsletter week, which is why posting was light. What? You're not subscribed? It's the non-suckiest newsletter around!

Image by bloggerskafe via Flickr, used under a Creative Commons license.

Taking my own medicine

the author kissing a fave client on the cheek It has been happening for some time now, probably since I shuttered my design business, definitely since I quit acting, but the polite and puzzled apologies that "I don't know exactly what it is that you do" have escalated to a point where I can no longer shrug, laugh or otherwise play them off.

"I write and I talk" is true, but coy. It's good for keeping myself clear on my priorities, but is far from useful to anyone else.

"I do marketing consulting for solopreneurs and very small businesses" is true, but leaves out a lot. Like me, for instance. I mean, please, do I look like a marketing consultant? (For that matter, do I write like a marketing consultant?) By which I really mean, "Do I do anything that looks like a descriptor you'd find in a drop-down list titled 'Employment', wedged between 'Manufacturing' and 'Media'?" I do not. At least, I hope not.

My attempts at self-description have been many, but ultimately disappointing.

First, because not being able to succinctly describe what it is that I do is embarrassing, to say the least, a whole lot of "physician, heal thyself" going on there.

Also, it's ungracious. It's confusing, which wastes everyone's time, ungracious! (Worse, it makes some people feel stupid, like they're missing something, and that's beyond ungracious, it's so mean as to be unacceptable.)

Finally, it makes me a lot less money. Because as any graduate of Marketing 101 knows, given you can deliver the goods (the "All Things Being Equal" Rule), to be easily categorized is to be easily recalled, recommended and other good things that begin with "r". Like "rich," which seems like it would be delightful, if only for the possibilities it promises regarding the equitable (i.e., by me) redistribution of wealth. Although to be able to fill up the car without feeling faint, visit the doctor as necessary, and at least occasionally buy the good tea wouldn't hurt, either.

* * * * *

What has sustained me throughout my feeble, murky swipes at self-promotion has been this: the great reward of doing at least some of what I love every day; and the equally great (and incredibly humbling) reward of being appreciated for it. Getting hired despite my laughable inadequacies around making myself hirable is the most tangible, not to mention remarkable, form of appreciation, but the support of readers throughout these six-plus years I've been slinging hash on the interwebs has been no less important.*

If you take nothing else from this post, that would be a good thing to take: You must in some small way always provide your own source of joy through some kind of work, whether it's things or ideas or self-improvement or self-understanding. And if you do it with all your might, chances are good the universe will throw a bone your way.

* * * * *

Here's how I have talked about myself that might serve as a starting point for wrestling this bear to the ground:

  • I help creative people sell themselves effectively in the postmodern marketplace. (on Biznik)
  • I provide creatively-minded people with the tools, ideas and practices they need to share their awesomeness with the world. (on my current "hire me" page)
  • I help entrepreneurs get clear on their core truth and assist them in finding the best ways possible for putting it out there. (on LinkedIn)
  • Better living through content strategy.** (on Facebook)

Each falls short in its own, special way. The LinkedIn one falls so far short that if it were a person, he would have cracked its chin open on the curb and been rushed to urgent care for stitches.

But they are the truth, if a little lackluster and faint of voice. They can't touch my mission statement*** for awesomeness and other things that get me up in the morning, but they are a place to begin.

* * * * *

I will eventually, as the Brits say, get this sorted. In the meantime, I'm going to do something radical (for me): not worry about it. Nope. I'm going to go about fixing things, here and there, tweakity-tweak, again, just as I advise certain clients to do. This is an iterative process, getting clear on who we are. And, given the current and projected future rate of change, will probably continue to be so. Over the past week, I've added:

  • clearer "contact me" info (because really, I was kind of a jackass about making people hunt it down)
  • social sharing buttons on each post (because really, "ditto" for making it harder for people to share my work)
  • dedicated "consulting" and "speaking" buttons in the top navigation (because what? I want to make it HARDER for people to hire me?)

It's scary, and it's fun. And it's good for me, because this is the kind of stuff I help other people do, and the more I understand exactly where, how and why it's scary, and come up with ways of handling it so it's fun, simple and sustainable, the better off we'll all be.

xxx c

P.S. If you're reading this in email, I'd love for you to click through and take a look at that top navigation. And if something looks hinky to you, or is in any way confusing, to let me know in the comments or privately, via email.

P.P.S. If it isn't obvious, this is one of the most excruciatingly painful posts I've ever written. I wasn't kidding about that embarrassment factor, above. On the other hand, for some of us, excruciating pain is the only thing that will move us off the dime. So here's hoping!

*It is one of the chief reasons I encourage writers to blog, the other being a weird kind of accountability it creates. And this doesn't even get into that other "hot" reason, the author platform.

**I didn't realize that this was a "thing" until about a year ago, when my friends at Mule Design assigned it to me in a bio for that year's BattleDecks. The Mules are nothing if not articulate, and I find much to emulate in the way they move through the world. They've been particularly astute over the last several months about intentionally raising their profile, executing each move with style and grace, and, in a way that deeply satisfies me, reinforcing the truth of The Three Behaviors. Which is good, because they're all over my presentation. Anyway, since discovering this magical thing of "content strategy," I've been devouring books and other, uh, content on the topic. As it turns out, much of what I do could be summed up fairly well as being content strategy. Expect more on this topic, including a series of book reviews, in the coming months.

***"To be a joyful conduit of truth, beauty and love." Everyone should have a mission statement, just not one of those icky, '80s-corporate, b.s.-style ones.

Photo of me and my beloved client, Susan Carr, Education Director supreme of the ASMP, at SB3 Chicago, by my other beloved client, Judy Herrmann, who introduced us. This is how it works, people!

Frrrrriday Rrrrroundup! #46

man standing on a deck with game painted on surface An end-of-weekly roundup collecting fffffive of the fffffoxiest things I fffffind stumbling around the web. More about the genesis here. Every dang Friday Round-Up here, you procrastinating slacker!

Finally saw this trailer for a self-produced feature about people changing the world all over the world at the last stop of the Strictly Business 3 conference tour last weekend and cried like a damn baby, i.e., in the very best of ways. More of this, please. [Facebook-ed]

Money is not the root of all evil (although the love of money might be). And neither is money the root of the problem in marriages, no matter how much it seems to turn up. [delicious-ed, via Penelope Trunk]

Not sure how many communicatrix readers are out there pitching startups to VCs, but this installment in a startup series on building your pitch into a great story is both fun reading and pretty instructional about telling stories in general. [Google Reader-ed]

Everything is right about this Stephen Colbert cover of the now-notorious Rebecca Black hit, "Friday": the spirit, the build, the skill level and mostly, as Bob Lefsetz said in his newsletter pointing out the vid, the inclusion of the audience in the joke and the joy. (NBC, you are an idiot not to let this live on YouTube.). [Stumbled]

xxx c

Image by rarbol2004 via Flickr, used under a Creative Commons license.

Poetry Thursday: Of service

fishmonger holding high two lobsters Virgo is the sign of service visualized as a maiden in a flowing robe, hair up or down, bearing grain.

Not a lion, not a bull not a ram. Not a hottie hoisting a vat of water to his massive shoulder with his studly arms.

Not a sharpshooter, a skilled, sought-after professional, never mind the hairy knees and hooves, not a pair of enigmatic twins or Escher-y fishes not even a goat or a crab or an inanimate fucking object of weights and measures:

Oh, no. A lone shiksa who has never met the high, hard one fondling a shaft of wheat, that's my lot.

I hated being a Virgo like I hated being not old enough or tall enough or smart or pretty or funny or fast enough to be anything but altogether unexceptional.

I hated my sign that started with "V" and ended with nobody getting laid like I hated the black watch plaid I wore every day for eight years that made me look just like everyone else, only somehow, never as cool as the girls with the good signs, the Leos, the Taurans, the goddamn Capricorns, all of whom most assuredly were relieved of their virginity before they were 19 and had to beg someone.

Do you know who serves?

Broom-pushers and burger-flippers; stockboys and bus drivers. Practicing alcoholics spinning condo-closeout arrows on the corner or hawking Caesar salad specials in a chicken suit. Cashiers, counting out other people's money, and actors, when they can't get work as actors, and overeducated foreign nationals and undereducated dropouts all clinging to their last shred of dignity doing jobs too low even to be beneath them.

People with no other choice choose service, don't they?

Yes. They do. They do. And the luckiest of them, I see now, embrace it.

They stoop to wash the dusty feet of strangers, to set the broken arms of girls who slide off the monkey bars, to pour themselves onto the page again and again so that this time, that someone whose heart has barely a hairline crack running across it can finally start feeling the light pour in.

They bend and contort themselves to make pastafazool and music. They bear with patience the slow, slow uptake of mathematics in adolescent crania and self-knowledge in the shattered heart. They give and give and give of their time and their talent, and their sweat and their soul sometimes for little, but never, never for nothing.

Finally, decades later, but not too late, I see that what is truly true: that to love is to serve. And so now, as then, I choose to serve because I cannot choose otherwise.

I must live in service of that which I've been given: my broom, my brain, my pen, my heart. I must push them to and fro to and fro to and fro every day of every week that they are in my custody.

I must live to serve, because now I finally see what is truly true: that I must serve to truly live.

xxx c

Image by Charbel Akhras via Flickr, used under a Creative Commons license.

Book review: The War of Art

The War of Art & author Steven Pressfield The books I re-read tend to fall into one of two categories: treasured fiction from various stages of my life which I settle into again for comfort and entertainment; and clear-headed non-fiction that serves as guidance and/or a kick in the pants during the dark times.

Steven Pressfield's The War of Art is the rare book that straddles those categories. Because while it's not a piece of fiction, to the contrary, it's pretty much the bitter and often embarrassing truth, it's a story of battling demons and conquering evil that's got more than a whiff of epic myth to it. And it's written in such an entertaining, story-like way, you hardly mind that it's 165pp of someone else's far-better-traveled boot in your very stuck ass.

Pressfield's basic thesis is this: there's a force out there called "Resistance" whose job it is push back against any kind of creative force, and especially when you try to sustain it. In Newtonian terms, it is the equal and opposite reaction to you working on any sort of meaningful generative endeavor. It's what keeps you from sticking to that diet and exercise plan you know will change your life; it's what has you turning on the TV or cracking open another beer or doing any one of a million perfectly reasonable things that push you further and further away from making meaning. (In Lucasian terms, it looks a lot like that scary dude from Episode IV.)

What I love most about Pressfield's characterization of Resistance (0ther than that it is literally laugh-out-loud funny in parts) is that it manages to convey both how fully evil and utterly impartial Resistance is. Is it terrifying and demoralizing to be so gripped with fear or plagued by jealousy you procrastinate yourself into a black hole of nothingness? It is! Don't take it personally, though, Resistance is merely a force, like gravity, to be faced up to and pushed back against. It is what dark is to light, what dry is to wet, what hot is to cold.

And while Resistance cannot exactly be considered benign by anyone serious about art or change, and while it will crush you slowly and without consideration or mercy, Resistance is also, as Pressfield points out, a very useful indicator. Are you scared? Tired? Hungry? Jealous? Bored? Horny? If any of those conditions arises while you're of a mind to really do something, there's an excellent chance that you're headed in the right direction. As the carefully selected quote from the Dalai Lama that opens the first part of the book says, "The enemy is a very good teacher."

That first section of The War of Art introduces Resistance in all its shapes and guises: rationalization; procrastination; addiction; obsession (with sex, with fame, with whatever-your-poison); and so on. Part two is about the necessity of "going pro" in winning the never-ending war with Resistance, about putting your head down and doing the work, both the why and the how. (Okay, mostly the "why", the how hasn't ever really changed much, has it?) Part three ventures slightly into woowoo territory, with its talk of the holy work of creation and invocation of the gods (or whatever you call them) to help you do it, but there's valuable stuff in there about the necessity of humility (plus some really bitchin' stories), so no skipping, skeptics.

I've bought and given away my past copies of the book to various stuck and foundering friends. This one is marked up to the gills, and I'm planning on keeping it. However, Mr. Pressfield has generously sent on some fresh, unmarked copies for me to pass along to needful souls. If that's you, explain what you're working on (or not working on) in the comments, or how otherwise you're stuck and could use a little push, and we'll see what we can do about getting one of them in your hands.

xxx c

Of possible interest: Via a sponsorship by GE, Pressfield's upcoming (April 20) book, Do the Work, the next imprint from Seth Godin's joint publishing venture with Amazon, is available for free in the Kindle format right now. It's a sort of sequel to The War of Art, and delves more into the art/shipping/fear interrelationship. So if you have a Kindle, or don't mind using the Kindle reader on your computer or smartphone, I'd jump on that, stat!

UPDATE 4/13/11: And the winners are...Hillary, Rachel, and Indre! Thank you, everyone, for your wonderful comments. I hope you will find your way to the book on your own.

Disclosure! Links to the books in the post above are Amazon affiliate links. This means if you click on them and buy something, I receive an affiliate commission. Which I hope you do: it helps keep me in books to review. This particular book was furnished as a review copy. Read my full book review policy here. More on this disclosure stuff at publisher Michael Hyatt's excellent blog, from whence I lifted (and smooshed around a little) this boilerplate text.

Frrrrriday Rrrrroundup! #45

piles of dried rind shavings An end-of-weekly roundup collecting fffffive of the fffffoxiest things I fffffind stumbling around the web. More about the genesis here. Every dang Friday Round-Up here, you procrastinating slacker!

Only a matter of time before these kids show up with subtitles. Not that they need 'em or anything. [Facebook-ed, via Marilyn Maciel]

With all due respect to young Rebecca Black, THIS is how you kick off a "Friday". [delicious-ed, via Bob Lefsetz]

Another amazing writer-publishes-self success story. [Google Reader-ed]

This piece by J.D. Roth does a pretty hilarious and thorough job of explaining why the lottery is not a sound investment tool. There's even a "see how much you'll lose!" lottery-simulator game to provide real amusement. [Stumbled]

xxx c

P.S. Coming to the Strictly Business 3 conference this weekend in Chicago? Say "hi" to me earlier rather than later!

Photo © 2011 Albert McMurry.

[video] Travel baggie hack!

[watch Travel baggie hack on YouTube; running time 3:01]

Amazingly simple tip that has helped quell my (considerable) anxiety about arriving or departing without mission-critical dongles, USB cords and other electronic doodads when traveling.

Required:

  • the appropriately-sized zippy freezer bag for electronic crap
  • an index card and writing device

What you do:

  • make list of the crap that goes with your crap on index card
  • stick in bag
  • check list ITEM BY ITEM when packing on either end

As I show in the video, you want to account for all moving parts, as it were. So I don't just list "remote", I also list "USB stick for remote" and "hideous foam case for remote." (Well, I abbreviate.)

And don't forget: putting your name and number on all your stuff makes you a nerd, but it makes you a nerd with a much higher chance of being reunited with your crap if the two of you become separated.

Questions? Comments? Improvements? Leave them in the comments!

Thanks, and safe travels.

xxx c

Tip via my pal Sean Bonner, who probably doesn't use it anymore because he is a mad-crazy citizen of the globe and travels light.

The 24-hour writer (or, "It's not you, it's You of the Past")

food log (with bowel movements noted!) Warning: while this essay is really about writing, it contains highly descriptive talk, and quite a bit of it, about poop. If you're very sensitive to poop-talk, you may want to skip it. Plenty of other stuff for you to read on the interwebs!

Back when I was first diagnosed with Crohn's disease and trying to figure out this crazy new way my body was functioning (or not), I kept several diaries.

The first was a diary-diary, where I'd blather about what was happening in my brain and my heart because of all the upheaval in my gut. This is the diary that kept me sane, along with a few very carefully chosen friends who were good at dealing with illness and could either look at me without draining of color or talk to me like this was just something I was going through, not something I was destined to be.

Within this diary, I also kept a kind of secondary diary-slash-visualization-map of my gut healing, drawing my poor, broken colon every day with all of its current inhabitants: the Asacol, prednisone, Cipro, and mercaptopurine; the "bad" bugs that had taken up camp and brought me to my knees; and the "good" bugs that I was now sending in via massive infusions of SCD-legal yogurt. I added callouts and anthropomorphized the bugs with little faces and talk bubbles, using a lot of gentle encouragement to usher them out, with plenty of "Thanks for the help, we'll take it from here!" reassurances from the new troops.

But in addition to all of this fairly squishy emotional stuff, I also kept a ridiculously comprehensive third diary of input and output. By which I mean I wrote down everything that went into my body and everything, including the quality and consistency, that came out. We called them "food logs" in SCD parlance, but let's face it: they were poop journals, filled with page after page of Mr. Hankeys and the stuff that made them.

I kept this diary daily for well over a year, refining and finessing it as I went along. As I became sensitive to things that might impact my intestinal health, I'd add them: my menstrual cycle, my sleep (both quantity and quality), my external stressors. After a while, it became ridiculously obvious what worked and what didn't, what I needed to do more of and what, or whom, I needed to do my best to avoid.  Toward the end of the first year, my father's Crohn's took a severe turn for the worse, and his organs began shutting down. The day I got the call, almost immediately, I started bloating and cramping. And sure enough, the next morning I was gifted with an enormous explosion of diarrhea lurking behind the perfectly normal poop that had formed in the chute before the bad news.

The good news, however, was that I'd determined what bad news, or too much broccoli, or too few hours of sleep, would bring.

* * * * *

I have a friend who is a sort of Program maven, by which I mean she has spent a lot of time figuring out how 12-step thingamajiggies work, and the patterns they tend to follow. And one of the central tenets of all Programs is bringing your full attention to that which, up until now, you have not. You start with the obvious thing, your drinking, your beating yourself up over someone else's drinking, your sexual fixations, your spending, and you note it. All of it. She told me that in Debtors' Anonymous one of the mandates is that you keep a diary noting every penny that goes in and out of your life. Every penny, no rounding!

What it does is bring awareness to the actions you likely had been sleepwalking through before: picking up "just" a pack of gum at checkout, sticking a couple of quarters in the parking meter, blowing a month's rent on the third race at Santa Anita.1 As an experiment in untangling my own clutter around money, I test-drove an index-card hack my friend Alison came up with, for two weeks, I noted every expenditure or bit of income, and any emotions that bubbled up around it. It was illuminating and not a little alarming, seeing all the anxieties secretly embedded in each transaction. Were I to do it long-term (like the Debtors' Anonymous tool) and add a lot of surrounding detail (like my poop diary), I'm guessing I'd start to see some pretty helpful causal connections.

* * * * *

Writing is physical. There's an emotional component, certainly, and maybe even a mystical one. When I get cranking, it certainly feels like I'm channeling something that's not exactly me.

But physically, it's your ass in the chair and your hands at the keyboard (or on the pen, you freak, you). Even the rogue, fairy-dust stuff is fueled by whatever keeps your brain floating in a happy mix of water and salts. And none of those things work as well, your ass's ability to stay put, your hands' ability to move, your gray mass's ability to process, unless a whole series of things have happened before. Things like eating and drinking the right things in the right quantities. Things like exercise and rest and full-on rest, a.k.a. adequate sleep. And high-quality sleep: sleep begun and ended at the right times, uninterrupted, if possible. I have written enough and long enough that I can power through a crappy body day, but it all goes much, much more easily if, for at least 24 hours before I sit down to write, I have been living right. Because writing takes literal, physical energy.

If it didn't, Laura Hillenbrand would have 14 amazing books written by now and I'd feel even worse about my inability to produce a single one.

* * * * *

It's easy to mock the body optimizing movement: Tim Ferriss has done some pretty extreme and even borderline creepy things in the name of getting the most out of his original-issue equipment. What's more, he's done it in such a way that it would be equally easy to chalk it up to hubris, a need for attention, a desire to cheat death, a lust for winning. But that would be me (or you, or anyone else) judging: even if he was completely forthcoming and totally forthright about his reasons, it's still him articulating them, and there's still some part of the spectrum we're all unable to be completely honest about because we can't access it: we have a blind spot, we don't know what we don't know, and because we're constantly evolving, we can't know everything about ourselves. (Although with time and practice, we can get a lot better at guesstimating.)

But I'm starting to get it now, on a deeply personal level. While I don't fear death, I live in abject terror of a long, slow, decline. I am wild at the idea of not being able to get all the music out before certain music-making parts of me shut down. What a cruel joke, that I finally start to "get" it, and another "it" is taken away. So I stay in and soak in a hot bath when I might rather go out. I forsake my beloved espresso for weak black tea, and slowly work in green instead of even that, though it always and forever will taste to me like drinking a wet lawn. I note the days when the writing comes well, and what I have and have not ingested/done/experienced in the hours leading up to this.

I am not just a writer when I sit down to write: I am a writer three hours before, in my last REM cycle. I am a writer 10 hours before, when I forgo another half-hour of BBC porn on my laptop for a (fiction, non-self-improving) book to wind down with. I am a writer 14 hours before, when I make my worker-bee self stop for the day.2 I am a writer 18 hours before, when I elect to do my stupid Nei Kung instead of answering another 10 emails; I am a writer 20 hours before, when I stop myself from eating a Medjool date, yes, that's what it's come to, and have some yogurt with applesauce instead. (No one can say I don't know how to live it up, baby!)

The gift of operating a writing business from a rapidly decaying, overused-and-abused bag of aging parts is that I see with far more clarity what works and what gums up the works.

To be a better writer today, I had to start yesterday.

Fortunately, to be a better writer tomorrow, I can start today.

xxx c

1Hey, I don't judge, I'm the lady who spent the better part of a year divesting herself of (mostly, for nothing) what it took dozens of years and thousands of dollars to mindlessly acquire. And when Brooks helped me bring my awareness to the tangle of emotions I had caught up in my clutter, he did it the same way: we looked at each item, one at a time, and asked whether I still needed it or could let it go.

2If you're doing the math as we go, I usually start writing at 9am, which means I'm still stopping my work day late, at 7pm. Worker Bee is working on it, okay?

Frrrrriday Rrrrroundup! #44

blossoms on branches An end-of-weekly roundup collecting fffffive of the fffffoxiest things I fffffind stumbling around the web. More about the genesis here. Every dang Friday Round-Up here, you procrastinating slacker!

RIP, o Volvo wagon! [Facebook-ed, via Rob Walker]

What would happen if you took all the photos people took of landmarks and smooshed them together? It's even cooler than you could imagine. [Tumbled, via Letters from Here]

I don't bother reading memorial columns anymore, unless they're written by Roger Ebert or Danny Miller. [Google Reader-ed]

I've had a delightful cover-of-a-cover in my head for weeks now, but this version in particular has stolen my heart. [YouTube-ed]

xxx c

Aaaaand a couple of pimpy-type things for excellent causes:

  1. The second-greatest dog in the world (and possibly the best girl dog in the world) needs a new country home.
  2. I'll be performing (a couple of poems, probably) at Tongue & Groove this Sunday, 6pm, $6!

Image by ~Minnea~ via Flickr, used under a Creative Commons license.

[video] Roll your own "flix" queue

[Watch "Create your own 'flix' queue" on YouTube; running time 3:34]

I'm a big fan of Netflix streaming video, but there are also other groovy things on the Internet that I might want to watch sometime, "sometime" being "later, not now while I'm busy trying to stop procrastinating with these other five things and get back to work."

As I say in the video, I used to just save videos to my delicious bookmarks, but I'd find myself forgetting to go there and look for stuff in the heat of the video moment. And because I lurve how easy and delightful it is to create nice-looking, well-behaved drop-down bookmark folders in Chrome, I experimented with storing them there, and found it made much more sense. I mean, I'm there, at the computer, usually about to be four feet away, doing Nei Kung or ten feet away, making lunch, and why not just have that stuff at the super-ready.

So if you cannot bear to watch video (I sympathize and empathize), here's the drill:

  1. Create a folder in your bookmarks bar labeled something you'll remember.
  2. Bookmark the video you want to save for later.
  3. Edit the title that propagates the bar (I like to have 00:xx first, then a spacer, then something just brief enough to quickly parse)
  4. If desired, get Virgo on that shit and drag your movie bookmark into ascending or descending order, time-wise.

That's it!

Have fun, and if you use and like this (or modify it to like it better), please do let me know.

xxx c

P.S. I know it is a totally crazy nutball thing, but as I was working on this video, Netflix went down. I KNOW.

* * * * *

Various & sundry:

If you're a professional photographer, you should definitely get your shutterbug ass to Chicago for next week's Midwest tour stop of Strictly Business 3, the outstanding biannual conference put on by the American Society of Media Photographers. Insane quantities of high-quality workshops, sessions and talks, including mine (mine...MINE!!!), "How to Make People Love You Madly: Selling Yourself in the Postmodern Marketplace." April 1-3, the Allerton Hotel (tip-top-tap, old-timers!), Chicago.

As a past speaker at the Creative Freelancer Conference, I have a (not very) secret code to get you an additional $50 off the early bird registration, for a total of $80 off: CCW11. The CFC is back in Chicago, which is a lovely place for a conference, and if you're a creative type who's self-employed, I encourage you to take a look. Lots of great relationships have been born and blossomed at the previous three CFCs, and the information and personal attention is top-notch. (I make nothing on that link, baby, it's all you.)

Finally, I'm DELIGHTED to be performing at this Sunday's Tongue And Groove, Conrad Romo's outstanding spoken-word showcase at the Hotel Cafe in Hollywood, 1623 1/2 N. Cahuenga Blvd., 90028. Six bucks, cheap; starts PROMPTLY at 6pm, and we've got a hard out at 7:30. OLD PEOPLE NIGHT. (Just kidding, I'm sure you'll go out clubbing all night afterward.) The rest of the lineup: James Brown (This River), Jo Scott-Coe (teacher at Point Blank), Alan Berman, J. Keith van Straaten, with musical guest Juli Crocket and the Evangenitals (my new-favorite band name).